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Artist Portrait: Michal Zahornacky

Michal Zahornacky’s images are designed to appeal to your emotions and get you to reflect. He tells us, ”I want people who view my images to take a break from the hectic pace of modern life and think...

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Even More Megapixels: The Canon EOS 5Ds R

by Peter Nonhoff-Arps The 50-megapixel sensor built into the Canon EOS 5Ds R promises to bring the ultra-high detail quality previously reserved for medium format cameras to the full-frame market. But,...

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Ready for 50 Megapixels and More: EOS 5Ds R Lens Test

by Sophia Zimmermann Medium-format resolution in a full-frame sensor sounds tempting, but is it really possible to shoot genuinely sharp images at this kind of pixel density? The bottleneck in this...

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Leica M Monochrom: A Unique Camera With a Charm all its Own

by Sohpia Zimmermann Leica turned a few heads when it introduced the original black-and-white ‘M’ and the idea was so popular that the company has now introduced the new Typ 246 model. This article...

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Behind the Scenes: High-end Car Shoot with René Staud

by Peter Schuffelen This Staud Studios shoot for Mercedes-Benz brought together a 544 horsepower off-road super-jeep, a 15-person team and a five-day production schedule, all shot against the...

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The Wonderful World of Wide-Angle Lenses

By Thomas Hoffmann & Sophia Zimmermann Wide-angle lenses produce spectacularly detailed photos that give the viewer the feeling of being part of the scene. However, the range of available models is...

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Composing with Color

by Pavel Kaplun Do you set out to make the most of color as a design element, both when you are shooting and during post-processing? This workshop introduces the wonderful possibilities that color...

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Raw Retouching

by Isolde Kommer Raw converters are rapidly turning into full-fledged image-processing applications that not only develop the colors in raw image files but also enable you to selectively edit and...

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Discovering Landscapes Through a 50mm Lens

by Jana Maenz Shooting landscapes and nature photos using only a 50mm lens is an unusual idea. In this article, Jana Maenz demonstrates just how enriching such a self-imposed restriction can be. The...

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How to Get Great Colors From Digitized Negatives

by Thomas Gade Digital cameras are ideal for digitizing negatives, but converting digitized negatives into positive images involves hard work and specialist skills. Simply inverting the tones in a...

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